Modern Gods by Sam Winston

The work originally formed part of a commission from the V&A Museum, London for their exhibition ‘Memory Palace’; based on a specifically written text by the author Hari Kunzru – multiple artists, illustrators and designers each worked on visualizing a section of his writing. 

The plates are acid etched letterpress plates made from zinc. The images are made up from thousands of typographic symbols taken from the periodic table. Taking its visual cues from religious artifacts such as Yantras and Thangkas - the project re-appropriates this sacred geometry to present moden day data sets in its place.  Each panel contains, roughly, the proportionate amounts of chemical symbols found in three iconic objects - a sim card, a watch and a book - which, the artist is suggesting, are our more modern artifacts of worship.

Continuing on from the V&A Memory Palace exhibition a set of Korean Jokja scrolls were produced as a extension of the project. These were accompanied by an artist book that charts the production of the work.

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Everyday by Sam Winston

Four colour silkscreen print, edition of 130. The original image was a coloured pencil drawing – with each pencil line recording the length of a single exhalation – using chance to select the next colour to be used. 

Buy the print here

The edition was produced at Harvey Lloyd Screens

Unbound by Sam Winston

A new publication charting the collective works from Arc artist editions. Featuring most of the works shown on this website as well as many pieces by the artists Rick Myers, Victoria Bean and Karen Bleitz. Below are spreads taken from the book.

Featuring a forward by Roberto Trujillo [Head of Special Collections Stanford University] an essay from Stefan Soltek [Director of the Klingspor Museum] and a comprehensive essay by the poet and writer Chris McCabe.

The book was designed by Ethel Strugalla. Strugalla Neuefeind Studio, Cologne and is available to buy here