Sam Winston

At the heart of Voiced: The Festival For Endangered Languages is a set of five poetry commissions exploring the links between habitat and home. In creating the Seed Syllable flags, Sam Winston asked each poet to select a single word to be typeset in their endangered or minority script.

Air quality, environmental overwhelm and drawing. Barbican Centre.

Collaboration with Raymond Antrobus, Bernardine Evaristo, Don Paterson and Max Porter.

A picture book celebrating the beauty of world languages.

Typographic tale celebrating the world's most famous reference book.

Drawings in response to John Cage album ‘As It Is’.

A picture book dedicated to the power of stories.

A series of projects exploring darkness and its creative potential.

Dictionary Story is a re-imagined version of the dictionary as concrete poem.

Writing and drawing without sight for seven days and nights.

Aesmic writting with poets Emily Berry, Kayo Chingonyi, George Szirtes.

A durational work where a pencil line records the length of every exhalation.

Typographic tale celebrating the world's most famous reference book.

Book of drawings and texts conceived during a month long darkness residency.

Series of collages looking a various components of drawing.

A work that combines the printers plate and print to make one narrative.

Exhibition at Alejandra von Hartz Fine Arts Miami.

A decade of writing collaged as an artist book.

Folio of collged typogaphic prints. Exploring folk tales and timetables.

Death: Southbank Centre's Festival for the Living.

A work that explores the symbols of a periodic table, taking visual clues from religious artefacts. V&A Museum, London.

Writing and drawing without sight for seven days and nights.

Series of collages categorising the text of Romeo and Juliet into three emotional states.

A 20 volume Oxford English Dictionary folded in on itself.

Originally a commission for New Yorker Magazine that subsequently became a letterpress print.